Tag Archives: Koven Smith

Tales from the Blog @ MCN 2012

  1. My bit

  2. As the organizer of this little carnival I went first and for the first time ever told the story in public of how and why I started blogging, which was something I’d avoided for some time, and later told people in small groups, over drinks, and informally. Doing it in front of an audience while being filmed was a bit more nerve wracking than I let on, but boy am I glad to have come out! ”Hi! My name is Ed, and I blog.”
  3. cshteynberg
    The blog post that started it all for #erodley: seeing two amazing exhibits and writing down observations #mcn2012tales http://ow.ly/f8lQ7

    Mon, Nov 12 2012 07:47:19
  4. adriannerussell
    Tales from the blog! I’ve found my museum blogging tribe. :) #mcn2012tale #MCN2012

    Mon, Nov 12 2012 07:47:19
  5. shineslike
    @erodley’s post that he’s referring to is the first post I remember reading of his. #mcn2012tale

    Mon, Nov 12 2012 07:47:19
  6. 5easypieces
    Shoutout for Halsey Burgund’s “Scapes” Roundware app at #mcn2012tale Evolver article here: http://bit.ly/RlWbQW

    Mon, Nov 12 2012 07:47:19
  7. 5easypieces
    @erodley sez: “We’re a niche community; it’s not like we’ll ever rise to the top of Reddit.” #mcn2012tale

    Mon, Nov 12 2012 07:47:20
  8. adriannerussell
    “Blogging is way to explore ideas that are interesting to you & your colleagues.” via @erodley #mcn2012tale

    Mon, Nov 12 2012 07:47:20
  9. adriannerussell
    Blogging is fast, responsive & a vehicle for engagement and immediate conversation. #mcn2012tale

    Mon, Nov 12 2012 07:47:25
  10. DWCabinet
    When thinking about blogging – “Feel the fear and do it anyway” #mcn2012tale

    Mon, Nov 12 2012 07:47:21
  11. cshteynberg
    @erodley: “If I had to describe blogging in one word, I’d say ‘terrifying’” But there’s no substitute for it. #mcn2012tale

    Mon, Nov 12 2012 07:47:21
  12. 5easypieces
    @erodley made a conscious choice to separate his blogging persona from his work persona. #mcn2012tale

    Mon, Nov 12 2012 07:47:22
  13. forwardretreat
    “Tales from the Blog”: Confession: I was busted for blogging in 2001, as a curatorial assistant. http://bit.ly/PH9aOY #MCN2012tale #MCN2012

    Mon, Nov 12 2012 07:47:22
  14. cshteynberg
    .@forwardretreat What happened as a result? #mcn2012tale

    Mon, Nov 12 2012 07:47:22
  15. forwardretreat
    I never stopped, & the folks who were upset now get it (and me!). Moral of the story: Blog carefully, but blog no matter what. #MCN2012tale

    Mon, Nov 12 2012 07:47:22
  16. forwardretreat
    @cshteynberg In 2001? Not much—Internet was a smaller place; no FB, no Twitter though I would re-pub anything from then, now. #MCN2012tale

    Mon, Nov 12 2012 07:47:23
  17. cshteynberg
    @forwardretreat Glad you were brave enough to do so! #mcn2012tale

    Mon, Nov 12 2012 07:47:23
  18. cshteynberg
    No surprises here: content is king, traffic comes from search engines, and it’s not all the same people talking to one another #mcn2012tale

    Mon, Nov 12 2012 07:47:23
  19. 5easypieces
    @erodley sez: “Blogging makes me do my thinking properly.” #mcn2012tale

    Mon, Nov 12 2012 07:47:24
  20. Mike Murawski, Portland Art Museum

  21. When I was putting the panel together, I looked for someone who ran a collaborative blog as a way to round out the kinds of blogging represented. I had just started reading Mike’s fabulous “Art Museum Teaching” blog, and I am so glad he agreed to join us. His presentation was great and the discussion it triggered was fascinating, both in the room and in the Twitter backchannel. And I’ve made another professional contact.  I may have moaned about how oversubscribed I was at MCN2012, but getting to really connect with the people who I served with on panels was a highlight of the event. I recommend it. If you’ve got people you’d like to meet, then coming up with a conference session that you can invite them to is a pretty neat way to meet and work together.
  22. cshteynberg
    Blogs as way to continue awesome conversations that start at places like #mcn2012 #mcn2012tale

    Mon, Nov 12 2012 07:47:24
  23. cshteynberg
    @murawski27: How we should blog: less about “look at how awesome I am” and more about testing ideas/experiments #mcn2012tale

    Mon, Nov 12 2012 07:47:24
  24. 5easypieces
    Wow–@murawski27 says that http://artmuseumteaching.com is 25% posting and 75% commenting. #mcn2012tale

    Mon, Nov 12 2012 07:47:24
  25. DWCabinet
    Clickership = understanding your audience. #mcn2012tale

    Mon, Nov 12 2012 07:47:25
  26. 5easypieces
    @murawsi27 estimates that museum blogs reach several million people a year. #mcn2012tale

    Mon, Nov 12 2012 07:47:25
  27. cshteynberg
    @murawski27 Sometimes museums do suck, so need space to talk that through (for example, teen engagement: http://ow.ly/f8o2O ) #mcn2012tale

    Mon, Nov 12 2012 07:47:25
  28. cshteynberg
    @murawski27: instead of waiting three years to publish article in journal, start conversation now with colleagues by blogging #mcn2012tale

    Mon, Nov 12 2012 07:47:26
  29. forwardretreat
    “How well do we, as bloggers/digital authors play across national, global boundaries, fields, networks?” Excellent question. #MCN2012tale

    Mon, Nov 12 2012 07:47:26
  30. erob1
    @5easypieces Wow, looks like some good convos happening at #MCN2012tale. Think I might have to make the trip next year

    Mon, Nov 12 2012 07:47:26
  31. DWCabinet
    How do we connect cross disciplines and professionals in the blog sphere? #mcn2012tale

    Mon, Nov 12 2012 07:47:27
  32. adriannerussell
    @shineslike “kamikazed” her way into blogging. Nice! #mcn2012tale

    Mon, Nov 12 2012 07:47:27
  33. 5easypieces
    @shineslike sez: “My blogging persona defines my professional persona.” #mcn2012tale

    Mon, Nov 12 2012 07:47:28
  34. Suse Cairns, University of Newcastle

  35. Suse is a dear friend and her blog “MuseumGeek” has really blown up over the past year. It’s a delightful blend of deep thought rooted in theory (PhD programs can do that you, I’m told) and soul-searching questions about the profession that hooked me and loads of other people almost immediately. Her experience of blogging really being her persona, as opposed to the rest of the panel, made for some lively back and forth.
  36. forwardretreat
    @shineslike: “My blogging persona defines my professional persona.” But ideas aren’t smart just because they’re spoken loudly. #MCN2012tale

    Mon, Nov 12 2012 07:47:28
  37. cshteynberg
    @shineslike: no institutional affiliation can be freeing for blogging, but sometimes cowgirl approach can get you in trouble #mcn2012tale

    Mon, Nov 12 2012 07:47:28
  38. DWCabinet
    Many different approaches to blogging – cowboy and kamikaze #mcn2012tale can be scary and risky

    Mon, Nov 12 2012 07:47:28
  39. 5easypieces
    @shineslike sez: “Hitting ‘post’ right before you go to bed is a really bad idea.” #mcn2012tale

    Mon, Nov 12 2012 07:47:29
  40. cshteynberg
    @shineslike conflict is worth it if your blog creates genuine, thought-provoking conversation! #mcn2012tale

    Mon, Nov 12 2012 07:47:30
  41. Eric Siegel, New York Hall of Science

  42. I’ve known Eric longer than anybody else on the panel and his work at NYSci and now online is amazing. While we slave away in our cubicles, he’s working with MakerFaire, Björk, TMGB, and loads of other interesting folks.  And blogging as a senior manager carries even more burdens than other kinds of blogging.
  43. innova2
    Blogging allows you to share the behind-the-scenes of your museum and richly interact w/ ur users/readers #MCN2012tale #mcn2012

    Mon, Nov 12 2012 07:47:30
  44. Jennifer_Dick
    #mcn2012tale Speaking truth to power is important! Marketing voice v. authentic voice in museum blogs; there’s a way to balance I hope

    Mon, Nov 12 2012 07:47:30
  45. 5easypieces
    Eric Seigel sez: “In order to keep a listserv healthy, people need to meet in person at least once a year.” #mcn2012tale

    Mon, Nov 12 2012 07:47:30
  46. 5easypieces
    NY Hall of science encourages staff to blog within an “ecology” of blogs. #mcn2012tale

    Mon, Nov 12 2012 07:47:31
  47. cshteynberg
    Listservs don’t always make people think long and carefully before talking, plus the convo is clunky = why I like blogs better #mcn2012tale

    Mon, Nov 12 2012 07:47:31
  48. nealstimler
    @5easypieces ? utility & real connective power of listservs. Can they be reformatted for social media environment? #mcn2012tale #MCNbuzz

    Mon, Nov 12 2012 07:47:32
  49. shineslike
    @nealstimler @5easypieces Or do you think their power is the fact that they aren’t visible? A safe space. #mcn2012tale

    Mon, Nov 12 2012 07:47:32
  50. nealstimler
    @shineslike @5easypieces if we support openness & transparency as #musetech values – why hide ideas in listserv silo? #mcn2012tale

    Mon, Nov 12 2012 07:47:32
  51. cshteynberg
    Plus, if search is king, than as @nealstimler says: transparency and searchability is important #mcn2012tale

    Mon, Nov 12 2012 07:47:32
  52. shineslike
    @nealstimler @5easypieces Because not everyone is comfortable in public. Different affordances. #mcn2012tale

    Mon, Nov 12 2012 07:47:32
  53. forwardretreat
    @shineslike Yet, that is precisely what subject-specific blogging does: establishes authority by creating a public record. #MCN2012tale

    Mon, Nov 12 2012 07:47:33
  54. forwardretreat
    @shineslike The professionalization of blogging has reified this authority. See also: blogger payment models (i.e. Gawker). #MCN2012tale

    Mon, Nov 12 2012 07:47:33
  55. forwardretreat
    @shineslike So, subject-specific blogging is an ongoing public job interview, in essence. Establish authority –> hired. #MCN2012tale

    Mon, Nov 12 2012 07:47:34
  56. Question and Answer

  57. adriannerussell
    Museums can use blogs to share information, archive work, & encourage conversation. #mcn2012tale

    Mon, Nov 12 2012 07:47:34
  58. cshteynberg
    With professional writing, you what kinds of people are going to read a piece of writing, with a blog, that’s up for grabs #mcn2012tale

    Mon, Nov 12 2012 07:47:34
  59. DWCabinet
    How far is too far and how do you know when to filter yourself when blogging? Do you ask colleagues? #mcn2012tale

    Mon, Nov 12 2012 07:47:34
  60. forwardretreat
    @5easypieces @erodley Let’s discuss separation of personal/professional personas online. Functionally impossible, I suspect. #MCN2012tale

    Mon, Nov 12 2012 07:47:35
  61. cshteynberg
    Many props to those bloggers in #mcn2012tale who risk job security and put the risky ideas out there to have the meaty, difficult convos.

    Mon, Nov 12 2012 07:47:35
  62. shineslike
    @erodley “Blogging is a place to ask questions.” Yes, I think so. #mcn2012tale

    Mon, Nov 12 2012 07:47:35
  63. Decipher_FP7
    Completely agree we need to focus on discussing process not product. But it can be scary! #mcn2012tale #MACDecipher

    Mon, Nov 12 2012 07:47:36
  64. DWCabinet
    Blogging about process- just as important as end product &excellent way for us to learn from each other during building stages. #mcn2012tale

    Mon, Nov 12 2012 07:47:36
  65. forwardretreat
    @thisisaaronland Re: Blogging: “We are terrified of being wrong in public.” This is radically, palpably true. #MCN2012tale #MCN2012

    Mon, Nov 12 2012 07:47:37
  66. cshteynberg
    @5easypieces: on an individual level we’re able to go out on a limb, but institutionally we’re not–why? #mcn2012tale

    Mon, Nov 12 2012 07:47:37
  67. innova2
    The most succesful posts when I blogged at the Museu Picasso where always those abt processes not results #MCN2012tale #mcn2012

    Mon, Nov 12 2012 07:47:37
  68. cshteynberg
    Part of problem: until blogging is part of job description, people won’t be able to have convos online. Must be sanctioned! #mcn2012tale

    Mon, Nov 12 2012 07:47:38
  69. nikhiltri
    Is remaining anonymous the only way to separate your personal and professional personas? #mcn2012tale

    Mon, Nov 12 2012 07:47:38
  70. forwardretreat
    @thisisaaronland #MCN2012tale #MCN2012 What is your most favorite mistake on the Internet? When were you *most* wrong in public?

    Mon, Nov 12 2012 07:47:38
  71. DWCabinet
    “Send us your resume and link to your blog” #mcn2012tale

    Mon, Nov 12 2012 07:47:38
  72. cshteynberg
    What role does individual “brand identity” play in professional blogging? #mcn2012tale

    Mon, Nov 12 2012 07:47:38
  73. Polackio
    @cshteynberg Individuals face smaller risks. Individuals also have less robust mechanisms for assessing risk so cognitive bias. #mcn2012tale

    Mon, Nov 12 2012 09:18:24
  74. adriannerussell
    Blogging definitely = branding. #mcn2012tale

    Mon, Nov 12 2012 07:47:39
  75. dustinkyle
    Is it a “build it and they will come” type of thing? How do you build an audience? #mcn2012tale

    Mon, Nov 12 2012 09:18:24
  76. shineslike
    The best thing aout my blog is the community around it. It’s the people who respond so thoughtfully that define it to/for me. #mcn2012tale

    Mon, Nov 12 2012 09:18:24
  77. Jennifer_Dick
    #mcn2012tale attendee: “Blog is for process. You can put results at the website.” Awesome distinction.

    Mon, Nov 12 2012 09:18:25
  78. shineslike
    If you want to get comments, you need to ask for them. #mcn2012tale

    Mon, Nov 12 2012 09:18:25
  79. 5easypieces
    @DWCabinet Anonymity consistency is authoritative. Lack of either of those is somewhat problematic. #mcn2012tale

    Mon, Nov 12 2012 09:18:26
  80. shineslike
    I want to know who in this room either blogs, or has thought about it. Why, why not? #mcn2012tale

    Mon, Nov 12 2012 07:47:36
  81. 5easypieces
    “Hello, my name is Judy and I’m a lurker.” “Hi, Judy.” #mcn2012tale

    Mon, Nov 12 2012 09:18:26
  82. innova2
    Blogging is about storytelling & offering a personal approach. For the neutral, institutional communication there’s the web #MCN2012tale

    Mon, Nov 12 2012 09:18:26
  83. micahwalter
    Internal blogs are called meetings #mcn2012tale

    Mon, Nov 12 2012 09:18:26
  84. 5easypieces
    Great point. RT @ChristineHealey: @shineslikeconcerned about the IP issues around it. Personal vs Professional boundaries… #mcn2012tale

    Mon, Nov 12 2012 09:18:26
  85. cshteynberg
    Key to increasing blogging audience/convo: Identifying key people in field and directly contacting them by email to weigh in #mcn2012tale

    Mon, Nov 12 2012 09:18:26
  86. shineslike
    The Q about time is interesting. How long does everyone spend on the blog a week? For me, it definitely eats up hours. #mcn2012tale

    Mon, Nov 12 2012 09:18:27
  87. 5easypieces
    @shineslike I try to keep up with a demanding 2-posts-per-year schedule at http://kovenjsmith.com #mcn2012tale

    Mon, Nov 12 2012 09:18:27
  88. erodley
    @shineslike How do you manage to live-blog *and* present? #mcn2012tale #overachiever

    Mon, Nov 12 2012 09:18:27
  89. rosemarybeetle
    @5easypieces: List of museum blogs http://bit.ly/XnNXNa from #mcn2012tale updated

    Mon, Nov 12 2012 09:18:28
  90. cshteynberg
    @shineslike: Even though it’s slightly corporate, this WSJ article made me think of #mcn2012tale discussion re: brand http://ow.ly/fbsqR

    Mon, Nov 12 2012 09:18:28
  91. The Aftermath

  92. And now, the processing begins. Mike was first out of the gate with a great recap. This counts as my recap. Soon the actual video will up, courtesy of MCN and your registration fees. I’ll add that link when I get it.
  93. murawski27
    @shineslike @erodley @erictsiegel @5easypieces let the post-MCN blogging begin – “When Bloggers Collide” http://wp.me/p1V79B-ix #mcn2012tale

    Mon, Nov 12 2012 09:18:28

Australia: MONA’s “The O” post-visit website

The “O” Part Two
This is the last post on my recent visit to the Museum of Old and New Art (MONA) in Hobart, Tasmania. The first post dealt with my overall impressions of this groundbreaking private museum. The second post covered the “O”, the customized iPod Touch-based guide given to each visitor to MONA. This post will specifically address the post-visit experience – what happens when you get home to find an email from MONA.

Logging in

What you see when you go to the MONA site.

MONA’s website is a bit of a tease. You can’t really get much about the MONA experience from looking at the site. They taken Koven Smith’s advice to heart and haven’t made another Conestoga Wagon for the 21st century. Their site has a very unusual purpose and audience. It exists to allow you to recall your visit to MONA in great detail. If you haven’t been, the site will be of little use to you. And the looping soundtrack might make you cranky. The merits and problems associated with this exclusivity are certainly worthy of discussion, but I found it a bit refreshing that they had chosen their audience, and it wasn’t the usual “everyone who might be interested in our collecting area, plus more people every year”  audience. Their website is not an analogue to the physical structure – it is something completely different. It’s a record of your relationship with MONA.

Visualizing a visit

Your visit presented to you in map form.

When you input the email address you entered when you got the device, you are confronted with this screen (as long as you’re not looking at it on an iDevice, hence the delay in me getting round to it) which presents you with a wireframe map of MONA, a list of the visits you’ve made, and the ability to toggle between looking at the works you saw on that visit, and those you didn’t.

The map
After reading Seb’s review, I was really keen to see the map. From a content creator’s standpoint, the ability to know what objects people were looking at, and to aggregate those data to make real heatmaps of where people were going in the museum sounded like Nirvana. From a visitor standpoint, I wanted to see how well it recalled my visit to me, after a period of weeks.  When we were at MONA, I was a bit taken aback to find they weren’t using the data they were collecting much. It’s still early days for them I suppose, but if I were there, I’d be crawling all over those data, just to see what I could learn from them.

From a visitor standpoint, I found it worked really well. The map is rotatable (though not zoomable) and the dots each represent an artwork you called up on the O. They are timestamped, so you can playback your visit and watch how you moved through the space. Given how lost I felt in MONA, it was a surprise to see how regular the floorplan is. Clicking on any dot, brings up the icon of the artwork and title, plus all it’s O content. I like the way you can build a mental model of your visit with pretty high fidelity. The use of images was helpful, since I seem to have trouble recalling titles from this visit. It might have something to do with there being no label in my visual memory of the artworks. I dunno… Always good to have pictures. I wish they led to bigger ones. One of my biggest disappointments in using the site was not being able to see big, clear images of the art. But more on that later.

 

Selecting an artwork you studied.

The promise of more
I loved the “Filters” and “Your tours” features of the site, because they both encourage you to think about having a relationship with MONA that lasts longer than one visit. The Filters buttons, presents you with either the list of everything you accessed during your visit (the default) or the list of everything you didn’t access. After reliving my tour in some depth, I found myself going back to see the things I didn’t look at, and thinking “Next time I’m at MONA, I want to…” The same with “Your tours”. It’s not “Your tour”. That use of the plural is the best invitation I’ve seen in a museum webiste. It invites without asking. I could easily imagine a long list of dates I’d been to MONA and imagine comparing my visits over time, what objects I kept going back to, and so on.

Brilliant thus far. But what about the content? What goodies are waiting for me?

Drilling down

I had no idea what kind of content awaited me when I clicked on an object. When I selected one, I got familiar text, and the same choices I’d had on my O. In the case of Candle Describing a Sphere, a piece that had Jen and me riveted, there was an Art Wank, and Audio. No larger image, no different content. Just what was on the O, without even the voting results to tell me how many other visitors loved or hated this piece. I tried a few other pieces and sure enough, all you can get is what you get in the museum.

The content from the O on that object.

The lack of unique content on the website is the O’s greatest lack as far as I’m concerned. Decent images is a close second. At first I was taken aback, but I understand the realities of trying to get something done in time for opening and the need to scope a project appropriately, even if it means launching without all the bells and whistles it might have. And when I look at what MONA have done with the app and the website, they’ve done a lot. I hope they do more in the next version, but what’s there is pretty impressive when you step back and compare it with what a visitor to any other museum on Earth will get at the end of their visit.

I can tell you a lot about what I looked at while in MONA, and I already feel like I need to go back. Those reasons are enough to win them some praise from the rest of us. I can’t wait to see what improvements they make on the system.

Making a museum from scratch: Part Two – inspirational readings

The comments on Part Two have been really fascinating to read and take in.  Addressing your feedback has been very important to me, so Part Three is still cooking. And a core part of that practice is finding other information in the world to help make a point, provide examples, or provoke assumptions. Seemingly everything coming onto my screen this week has had relevance to this exercise, so I thought I’d pass along some of the background reading I’d been doing while writing the next post.

New models
1) Nina Simon’s latest book club subject on her Museum 2.0 blog  is “Blueprint” the fascinating chronicle of the abortive attempt to create a Dutch Museum of National History.  It’s a great read, and I’m looking forward to the discussion.

2) In the same vein, Science Gallery, Dublin has posted an open call for “GAME” their new exhibition on the future of play. I haven’t been (yet) but I’m intrigued by Science Gallery’s  vision, to be “a dynamic new model for public engagement at the interface between science and the arts.” Among the differences, they tout five factors:

  1. Our flexibility – five dynamic, changing programmes per year, with no permanent exhibition;
  2. Our focus on 15 – 25 year olds as our core target audience bridging high school, university and early stage career;
  3. Our open call process – Science Gallery crowd-sources its installations and events on broad themes linking science, technology and the arts;
  4. Our fresh approach to connecting the university and the city –  bringing university research groups, staff and students into dialogue with the arts and creative community and the public; and
  5. Our Leonardo Group – 50 inspirational individuals drawn from the local creative community of scientists, artists, engineers and entrepreneurs who feed ideas into the development of Science Gallery exhibitions and events.

No permanent exhibition? The whole place becomes whatever the current exhibition is? Very interesting…

New ways of being
3) Rich Cherry tweeted a great nugget from Seth Godin called, . “The quickest way to get things done and make change”  that also bears on our discussions

“Not the easiest, but the quickest:
Don’t demand authority.
Eagerly take responsibility.
Relentlessly give credit.”

Easy to write. Much harder to live, but if they could baked into the DNA of a new organization, how might those sentiments express themselves?

4) Following on the call to eschew demanding authority, Maria Popova posted a short review of a book on on storytelling and the search for meaning. “The Spirituality of Imperfection” The title alone was enough to interest me, but what caught my eye and made me add it to this list was Popova’s assertion that the book “is really about cultivating our capacity for uncertainty, for mystery, for having the right questions rather than the right answers.”

Living and working in an institution that is very concerned with both “being right” and getting visitors to ask the right questions, this book seems like it’ll be getting added to my list at the bookstore soon. So many modern museuological concerns, like the authority crisis, the (mis)appropriation of curation, participatory culture, and more, all relate to this need to both know, and be “right.”

5) This notion of being in the storytelling business amplifies something Seb Chan has posted on Fresh and New(er). We’ve been talking for some time about the lack of magic in museum exhibitions, particularly science museums. Go read “On Sleep No More, magic and immersive storytelling” and read it all the way through, because Seb’s saves his best questions for the very end.

6) Turning data into information is one way museums tell their stories. Mia Ridge tweeted this little gem that goes right to the heart of so much of what being an institution with a collection is like nowadays.

We can propagate huge data sets, but can we contextualize them so that anybody else who’s not already an expert might find value in them?

7) Both Janet Carding and Mia Ridge forwarded along this provocation by Hadrian Ellory van Dekker, Head of Collections at the Science Museum, called ‘What are Science Museums for’  where he takes apart a dominant paradigm in my part of the field about how “problematic” collections are. What is interesting is that he doesn’t bemoan interactive exhibits as usurpers. Instead, he problematizes the whole perceived dichotomy and ends up saying, “Science centre or science museum? Why should we have to choose? Any science museum, fortunate enough to possess a collection of significant and historic objects, quite simply has to be both.” Collections-based or interactive doesn’t need to be an either-or proposition.

Truth.

7) Lastly, I can’t point to it yet, but talking with Koven Smith about his upcoming MuseumNext talk on “the Kinetic Museum” has been enormously helpful to me.  Hopefully it will appear in some form online so I can link to it.

Part Three is coming soon!